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<dim:field authority="007381ee-c086-4659-a461-27158b36904f" element="contributor" qualifier="author" confidence="ACCEPTED" mdschema="dc">Fernández, Cristina Beatriz</dim:field>
<dim:field element="date" qualifier="accessioned" mdschema="dc">2022-10-25T17:44:28Z</dim:field>
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<dim:field element="date" qualifier="issued" mdschema="dc">2020</dim:field>
<dim:field element="identifier" qualifier="issn" mdschema="dc">2340-8960</dim:field>
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<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">El  nombre  de  José  Enrique  Rodó  se  asocia, inevitablemente, con su libro más célebre: el ensayo Ariel. Sin embargo, lejos de la forma cerrada del  libro,  la  producción  de  Rodó  estuvo  marcada  por  su  participación  constante  en  publicaciones  periódicas de diversa índole, desde diarios o semanarios  hasta  revistas  culturales.  El  objetivo  de  este  estudio  es  señalar  algunos  aspectos  de  la  escritura  rodoniana  que  serían  impensables  sin  esa  permanente articulación entre la prensa y la literatura que sostuvo su intervención, en tanto que intelectual, en el espacio público. En la construcción de su figura autoral, de ribetes magisteriales, fue crucial la complementariedad entre el libro y la prensa periódica.</dim:field>
<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">José Enrique Rodó’s name is inevitably associated with the essay Ariel, his most famous book.  However,  far  away  from  the  closed  book  form, Rodo’s writing is characterized by his continuous  participation  in  different  periodic  publications,  from  newspaper  or  weekly  papers  to  cultural journals. The aim of this article is to note some  key  aspects  in  Rodo’s  writing  due  to  the  ongoing  articulation  between  the  press  and  the  literature.  That  was  the  basis  of  his  intellectual  intervention  in  the  public  sphere.  The  complementarity  between  the  book  and  the  press  was  very  useful  to  the  construction  of  his  masterful  author’s figure.</dim:field>
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<dim:field element="rights" language="es_ES" mdschema="dc">https://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field element="source" language="es_ES" mdschema="dc">Creneida 8, 300-319 (2020)</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">José  Enrique  Rodó</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Periódicos</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Revistas</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Prensa</dim:field>
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<dim:field element="subject" language="es_ES" mdschema="dc">Literature</dim:field>
<dim:field element="title" language="es_ES" mdschema="dc">La tribuna de Ariel. José Enrique Rodó en las publicaciones periódicas</dim:field>
<dim:field element="title" qualifier="alternative" language="es_ES" mdschema="dc">Ariel’s Public Forum. José Enrique Rodó in Periodic Publications</dim:field>
<dim:field element="type" language="es_ES" mdschema="dc">info:eu-repo/semantics/article</dim:field>
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