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<dim:field authority="fd21cd01-da97-47e6-bcb7-e79a30189e20" element="contributor" qualifier="author" confidence="ACCEPTED" language="" mdschema="dc">Blanco López de Lerma, Alfonso</dim:field>
<dim:field element="date" qualifier="accessioned" language="" mdschema="dc">2023-06-28T13:01:55Z</dim:field>
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<dim:field element="date" qualifier="issued" language="" mdschema="dc">2021</dim:field>
<dim:field element="identifier" qualifier="issn" language="" mdschema="dc">2255-1905</dim:field>
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<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">El Retablo del Salvador es una de las obras que se conserva en el Museo de Bellas Artes de Sevilla procedente de la Desamortización de Mendizábal. Pintado al óleo sobre tabla, se  puede observar en él  ocho escenas diferentes, mostrando la central a Cristo Resucitado que presenta a los redimidos del infierno a su Madre e inspira el título del retablo. Esta escena de Jesús tras bajar al Seno de Abraham, cuya datación es cercana a la  mitad del siglo XVI, está inspirada en una obra de la antigua colección  Parcent. Chandler Rathfon Post en su A History of Spanish Painting la relaciona con un San Telmo que también se encuentra en el Museo sevillano.</dim:field>
<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">The altarpiece of the Saviour is one of the works preserved in the Fine Arts Museum of Seville, coming from the Spanish confiscation of assets carried out by Mendizábal. Oil-painted on panel, it shows eight different scenes. The central one shows the risen Christ, redeemed from hell and delivered to his Mother, which inspires the title of the altarpiece.  This  scene of Jesus, after descent  into  Abraham's  Bosom,  which dates towards the middle of the sixteenth century, is inspired by a work from the old Parcent collection. Chandler Rathfon Post in his A History of Spanish Painting relates it to a Saint Telmo that is also found in the Sevillian Museum.</dim:field>
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<dim:field element="source" language="es_ES" mdschema="dc">UcoArte. Revista de teoría e historia del arte 10, 42-61 (2021)</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Retablo</dim:field>
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<dim:field element="subject" language="es_ES" mdschema="dc">Anónimo</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Colección Parcent</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Alejo Fernández</dim:field>
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<dim:field element="title" qualifier="alternative" language="es_ES" mdschema="dc">The saviour altarpierce from the Museum of fine Arts of Seville</dim:field>
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