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<dim:field element="date" qualifier="issued" mdschema="dc">2021</dim:field>
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<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">Este artículo propone identificar los elementos y motivos místicos relacionados con el vino y su simbología en el filme Sayat Nova. El color de la granada (Paradjanov, 1969) a través de análisis de la obra poética –en este caso la escrita en armenio– del trovador armenio Sayat Nova –sobre quien gira el filme– así como también del análisis de los motivos de diferentes textos místicos de referencia de las doctrinas místicas (cristianismo ortodoxo y sufis- mo) de la época y el entorno del poeta –que aparecen, en primer lugar, en el plano poético, y posteriormente en el plano cinematográfico. Los símbolos de la mística que se revisan enlazan con aspectos de la tradición etno- gráfica de la zona del Cáucaso sur (Armenia, Georgia, Azerbaiyán), por lo que los códigos iconográficos del fol- clore y los mitos conviven en el medio cinematográfico con los del universo místico, donde el vino equivale al gozo del espíritu y al conocimiento.</dim:field>
<dim:field element="description" qualifier="abstract" language="es_ES" mdschema="dc">This article proposes to identify the mystical elements and motifs related to wine and its symbolism in the film Sayat Nova. The colour of pomegranates (Paradjanov, 1969) through the analysis of the poetic work –in this case written in Armenian– of the Armenian troubadour Sayat Nova, around whom the film revolves. We also pro- ceed to the analysis of the motifs of different mystical texts of reference from mystical doctrines (Orthodox Chris- tianity and Sufism) of the time and the poet's environment –which appear, firstly, on the poetic plane, and later, on the cinematographic plane. The symbols of mysticism reviewed are linked with aspects of the ethnographic tradition of the South Caucasus area (Armenia, Georgia, Azerbaijan), so that the iconographic codes of folklore and myths coexist in the cinematographic medium with those of the mystical universe, where wine is equivalent to the joy of the spirit and knowledge</dim:field>
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<dim:field element="publisher" language="es_ES" mdschema="dc">Asociación Cultural Trama y Fondo</dim:field>
<dim:field element="rights" language="es_ES" mdschema="dc">https://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field element="source" language="es_ES" mdschema="dc">Trama y fondo: revista de cultura, ISSN 1137-4802, Nº. 51, 2021, págs. 7-22</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Vino</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Poesía</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Cine</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Mística</dim:field>
<dim:field element="subject" language="es_ES" mdschema="dc">Paradjanov, Serguéi (1924-1990)</dim:field>
<dim:field element="title" language="es_ES" mdschema="dc">El vino como motivo místico en "Sayat Nova. El color de la granada" (Sergei Paradjanov, 1969)</dim:field>
<dim:field element="title" qualifier="alternative" language="es_ES" mdschema="dc">Wine as a mystical motif in "Sayat Nova. The colour of pomegranates" (Sergei Paradjanov, 1969)</dim:field>
<dim:field element="type" language="es_ES" mdschema="dc">info:eu-repo/semantics/article</dim:field>
<dim:field element="relation" qualifier="publisherversion" language="es_ES" mdschema="dc">https://tramayfondo.com/revista_historico.html#revista51</dim:field>
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