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Cinema: Not Frames But Veils
dc.contributor.author | Molina Barea, María del Carmen | |
dc.date.accessioned | 2022-11-11T12:10:20Z | |
dc.date.available | 2022-11-11T12:10:20Z | |
dc.date.issued | 2021 | |
dc.identifier.uri | http://hdl.handle.net/10396/24324 | |
dc.description.abstract | The aim of this paper is to rethink the metaphors of the cinema as window and frame. The first one addresses the cinema as a transparent, open window that faithfully reproduces the world, taking the spectator’s view beyond the screen guided by realism and indexicality. The second one takes the screen as a rectangular surface that focuses the audience’s eye on the images that are produced inside its borders. In these pages I will revisit both notions, adding a third one inspired by the passe-partout of Derrida: the cinema as veil, also theorized as backdrop and decor. Ultimately, this approach explores the idea of simulacrum by analizing two examples: Blue (Apichatpong Weerasethakul, 2018) and Decor (Ahmad Abdalla, 2014). | es_ES |
dc.format.mimetype | application/pdf | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | University Library System, University of Pittsburgh | es_ES |
dc.rights | https://creativecommons.org/licenses/by/4.0/ | es_ES |
dc.source | CINEJ Cinema Journal 9(1), 147-180 (2021) | es_ES |
dc.subject | Window | es_ES |
dc.subject | Frame | es_ES |
dc.subject | Passe-partout | es_ES |
dc.subject | Veil | es_ES |
dc.subject | Decor | es_ES |
dc.title | Cinema: Not Frames But Veils | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.relation.publisherversion | https://doi.org/10.5195/cinej.2021.312 | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |