dc.contributor.author | Balsera Fernández, Manuel | |
dc.date.accessioned | 2020-01-24T10:47:15Z | |
dc.date.available | 2020-01-24T10:47:15Z | |
dc.date.issued | 2013 | |
dc.identifier.issn | 1579-9794 | |
dc.identifier.uri | http://hdl.handle.net/10396/19373 | |
dc.description.abstract | En este artículo nos proponemos estudiar, basándonos en la teoría de la Relevancia (D. Sperber y D.Wilson, 1995, 2004; Carston, 2002), algunos aspectos pragmáticos y traductológicos (E.A.Gutt, 1991, 1998, 2004) del contradiscurso político-electoral sobre Barack Obama fundamentado en obras de arte. El lenguaje pictórico-visual con toda la complejidad de sus estructuras y procesos, posee un enorme potencial comunicativo pero necesita del anclaje verbal, especialmente en los textos multimodales de naturaleza ecoica, si éstos tienen fines persuasivos. Centraremos nuestra atención en dos obras pictóricas consideradas canónicas del arte y de la cultura estadounidense: Washington Crossing the Delaware de Emanuel Leutze (1851) y American Gothic de Grant Wood (1930). | es_ES |
dc.description.abstract | The aim of this article is to examine within the framework of cognitive pragmatic theory (D.Sperber and D.Wilson, 1994, 2005; Carston 2002), some pragmatic and translational aspects of art (E.A.Gutt, 1991; 1998; 2004). As applied to a political-electoral counter-discourse about Barack Obama with strong artistic connections. The visual-pictorial language has a great communicative potential in spite of its complex structures and processes, it really wants to have verbal anchorage in order to achieve persuasive purposes, especially in multimodal texts of echoic nature. We shall be focusing here on two artworks considered by many critics canonical pictorial icons of American culture: Washington Crossing the Delaware by Emanuel Leutze (1851) and American Gothic by Grant Wood (1930). | es_ES |
dc.format.mimetype | application/pdf | es_ES |
dc.language.iso | spa | es_ES |
dc.publisher | UCOPress | es_ES |
dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0/ | es_ES |
dc.source | Hikma 12, 23-46 (2013) | es_ES |
dc.subject | Pragmática | es_ES |
dc.subject | Relevancia | es_ES |
dc.subject | Barack, Obama | es_ES |
dc.subject | Multimodalidad | es_ES |
dc.subject | Ecoicidad en arte | es_ES |
dc.subject | Contrapublicidad | es_ES |
dc.subject | Pragmatics | es_ES |
dc.subject | Relevance | es_ES |
dc.subject | Multimodality | es_ES |
dc.subject | Echoicity in art | es_ES |
dc.subject | Counterdiscourse | es_ES |
dc.title | Pragmática ecofánica del contradiscurso artístico ‘oportunista’ en política | es_ES |
dc.title.alternative | Echophanic pragmatics of the ‘opportunist’ artistic counter-discourse in politics | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.relation.publisherversion | https://www.uco.es/ucopress/ojs/index.php/hikma/index | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |